The 27th annual IALD International Lighting Design Awards have been unveiled. The winner of The Radiance Award for their third consecutive year is Speirs and Major Associates for their exterior lighting of the Sheikh Zayed Bin Sultan Al Nahyan Mosque in Abu Dhabi, UAE. The project has been featured in numerous lighting design blogs and magazines for the complexity of the concept and, ultimately, the high production value with which it was achieved.
The concept of the project was to light the mosque via projection towers strategically placed throughout the exterior of the facade. The projection work mimics the Islamic calendar which follows the lunar calendar, and is illustrated onto the structure via varying shades of deep hued blues to smoky grays, depending on the phase of the moon, new moon or full moon, respectively.
Architecturally, the project is almost laughable for it's over-the-top Disney theme that only the UAE and, perhaps, mid-western Americans who love Las Vegas, can appreciate. However, as a lighting concept that coordinates itself well with the large, lunar shapes of the domes and the following of Islamic prayer, it's a grand success.
The Utah State Capitol Restoration project received the Award of Excellence. The Beaux Arts-influenced capitol building experienced a lighting overhaul by Randy Burkett Lighting Design Inc. which resulted in reducing the energy by over 60%. Architecturally, the lighting of the structure enhanced the lines of the building. Internally, luminaires which were only known through archival photography were recreated, bringing a new old life to the interiors.
An Award of Merit went to the jewelery shop, Joyeria D in Pamplona, Spain. The lighting design firm associated with the retail shop is Architectural Lighting Solutions from the UK. Architecturally, the shop is such a whimsical play on the motif that it's foolish not to love. Like something from a James Bond movie, the architectural cladding of the interior is made to represent that of a foam-padded jewelery briefcase. All of the indirect lighting in the floor and mill work coves provides a sleek, hospitality-like environment, which I find to be very intimate. Whereas all of the direct lighting is smartly configured above the show counters to provide maximum bling for your bling, while minimizing the squint factor you might experience in many jewelery retail scenarios.